Apparently, the FiiO still engineering Department wins marketing, another explanation for the emergence of second-generation Q1 I do not see. The capabilities and specifications of this portable DAC obviously does not fit into its niche, offering a much larger, but let's take first things first.
If you remember , presented in the second half of 2015, it was such a fun portable gadget that resembled the shape of a flask. He was quite good for its price (100 dollars), but was not different something amazing. The second his generation, presented at the summer presentations are of a level that other producers usually consider flagship: balanced output from 220 mW to 32Ω loads, support for all resolutions up to 384 kHz/32 bit and DSD256, work with iOS devices without an adapter, the stylish compact body... this List can name more, but the price remained at the same level (yeah, $ 100), so it must be something really surprising.
theline out
the3.5 mm output
theBalanced output
theIt Seems that the designers FiiO can't come to a single style in the design of the box new Q1 is packaged in a box of fairly thin cardboard white, but printing and all associated traditionally done well. There is a sticker with a scratch off strip hiding the verification code to originality.
Inside, except the DAC are:
theIn General, the delivery normal, without much luxury, though the presence of Lightning-wires included — a nice bonus for users of Apple technology. Other wires are not included, but a suitable cable for Android devices-easy to find, and for users players Sony recently released the original cable from FiiO, and it will have to be bought separately. Although I doubt that a lot of people need, but perhaps the Sony A35 in the role of transport would look bad.
theThe design is also properly worked, adding not only «premium», but also ease of use. For starters, Q1 Mark II is smaller than it seems in the photos, particularly pleased with the reduced thickness, after all the main applications of this gadget in conjunction with a smartphone. The design is made without unnecessary frills, but the Golden ring around the connectors in the spirit of the old Grundig «brand» design of the volume control give a thoughtful approach to development. Contains all very high quality, but this is for FiiO more the norm.
The controls are all quite usual. On the front side hosts the volume control combined with power switch. Using a hybrid scheme of the controller, so you control analog potentiometer, whose resistance is read by the encoder and is used to digitally control. This avoids noise when rotating, and offset channels. About controller has two led indicators: one indicates that the device is turned on, the second lights up when the signal is in DSD format. In my instance the LEDs are blue, but in the final batch FiiO was going to use green diodes with lower brightness. Right in the middle of the front panel is a universal socket, which can act as a line input, and as output. Here you will also find a headphone output and the usual 3.5 mm to balanced 2.5 mm.
On the rear panel is MicroUSB-input for charging and connecting to the source, and two switch — Gain and bass boost (the latter, incidentally, is implemented quite neatly and quite unfit for use). New Q1 should decide whether it is connected to a computer or smartphone, and in the latter case does not charge your battery by discharging the phone. With iOS it works perfectly, but with Android phones I have read complaints that sometimes still involves Q1 charging mode.
Despite its compact size, Q1 are hardy enough, in my standard test (MEEAudio P1 in the role of a load, gain low, volume at a comfortable level, playing FLAC 44.1/16 via USB) the device worked for 10 hours and 15 minutes full charging require 3 hours and 50 minutes.
In other reviews I've read of complaints that the Q1 Mark II is prone to interference when used with a smartphone. I specifically tested it in the «sandwich» the iPhone 6 Plus, listening over Wi-Fi and LTE music from Deezer, no noise except for the quiet background of the amplifier Q1 was not. Perhaps it depends on specific smartphones, router or any other circumstances, but noticeable loud leads to hear I could not.
theTo listen To the device used the following headphones: , , , , Campfire Audio Andromeda , and others.
The Desire to reuse successful solution has resulted in the amplifying portion Q1 second revision employs the same chips that new flagship X7 amplifier-2 AM3A. In combination with improvements in the DAC and USB transport this gives Q1-2 is the noticeable difference from Q1 of last revision that it is time to talk about the lack of models of anything in common. Moreover, the new portable «processor» passes as a Junior for FiiO X1-II and almost reaches X3-III, at a slightly worse resolution sound with a more continuous flow.
I'm not sure that makes a lot of sense to use the Q1 Mark II in the role of the amplifier, because almost any modern player power will be with him at least comparable, so the main use case I see is it the role of the DAC with a mobile phone as the source. The recently released FiiO Music for iOS adds this option, the convenience and familiar to other company's products usability. In General, all further description of the sound made with the iPhone 6 Plus and MacBook Pro 2016 in the role of sources, and balanced output, because it has noticeably more power and better sound.
Bass slightly accented in the area of midbass that gives the sound a nice effect of massiveness. The resolution of bass is normal, although not prohibitive, severely biting bass here will not name, but impressively relaxed him even further. NCH have sufficient mass in order to sound natural, texture is also transmitted at a decent level. Deep bass are present, but do not appear ahead so as not to drown out the rest of the range. Overall, decent for its price NCH, moderately accented, but with a normal resolution, this transfer of bass is quite typical for modern budget sources and initial-middle segments. For lovers of extra massiveness, a bass booster, neatly «lift» the lower half of the frequency range.
The midrange is perhaps the strongest side of this device, they are detailed, very musical and pleasing emotion. Of course, to the resolution and study of the players of the middle segment Q1 new revision far away, but the player entry-level it bypasses both technical component and «engagement» listener into the music. DAC wins back the material with a good level of detail without the harshness, and manages not to stick out the flaws in the recording. Imaginary scene a little more than average in width and slightly less depth, but the separation in both directions is good enough.
As for the RF, on the one hand, they are quite interesting painted: the lower treble is a little allocated, and the rest of the range, on the contrary, mitigated, it gives a nice detail without fatigue. On the other hand, to call this natural flow does not, however, want the natural RF from the device in the budget...
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